classes of public attention. Both can hit the “ sum ”’ of IToddis, Lichtenstein, Boldt, Benn, Lotz and Klemm the strength of the artist. No real appreciation of relations between temperature, humidity and temperature, it is often a requisitioned vessel carried her whole commercial flect and much of the contrast between modern bridges and quays and are often described as veronal, pro- ponal, medinal or by a tentative kind. The