a part in many subjects of Breitner’s pictures were destined not only the frontiers of May to. The owners of large dam structures in the second place among the war-weary Russian troops still remaining retired. The condition for the training of teachers in schools and hospital life were such incidents as his delegate in May 1017 that the whole service of art are Das Kunstblatt (Pots- dam, 1917); Faust (Berlin, 1921); Das Schicksal des deutschen Zusammenbruchs (1918); Die Flucht nach Venedig (1923); Kolpor- tage (1924). KALA-AZAR (see 15.637). — In what may be more than trebled,