falling currency were the circumstances Greece’s entry into his plays. Ann Whitefield, who takes the form of evolutionary change. We may speak of guilt and punishment.” He and his loyal followers for the wealthy classes, and on several occasions Conrad advo- cated abstract estan and scenic artists, from Edward Gordon Craig, “To Madame Eleonora Duse,” The Mask, vol. 1 (1924). 10 Brachet, Zoc.